Fallow

Thursday, October 2

According to Jewish law and tradition, this year, 5775, is a Shmita or Sabbatical year, when Jewish farmers are supposed to let the land rest. The idea of fallow fields got me thinking about what grows when you don’t actively plant seeds, either physically or metaphorically.

Prompt #1  Write about toiling, perseverance, stepping back, being receptive. Write for 15 minutes.

Prompt #2 Follow these steps to see what emerges.

  1. Write for 10 minutes inspired by the word “fallow.”
  2. Write for 5 minutes inspired by the word “follow.” Encourage connections with the “fallow” writing.
  3. Write for 5 minutes inspired by the word “fellow.” Again, look for connections, either thematically or aurally, with your “fallow” and “follow” writing.
  4. Look at all three samples. Circle phrases and words that stand out for you. Choose one word or phrase from each sample and write them on top of a new page. Write for 10 more minutes.

 

The Face of Frustration

Thursday, September 18

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Art Work by David Adamo

Hey Everyone — I’m back from my summer hiatus with more prompts, recommendations and explorations of the craft of writing. Today’s prompt:

Write about frustration.

Suggestions and inspirations:

1. Writing in prose, write a series of dialogue-free actions that depicts growing frustration. Write for 15 minutes

2. Writing poetry, create pacing, word choice and sentence length that convey the energy of frustration. Write for 15 minutes.

3. Write a list poem on the theme of frustration. Write for 10 minutes.

4. Depict frustration that grows, ebbs, explodes, then…?

 

More about David Adamo’s work here.

Thursday Thoughts: Out Loud

For Thursday, July 17  Prompt 74

IMG_0607Do you read your work out loud as you write and edit?

If so, how does it change what you write?

If not, try it. See if it affects your word choice, sentence length or dialogue.

 

 

Commitment

For Friday , July 11, 2014  Prompt #68

Following up Wednesday’s cycle-of-life, theme, today’s prompt is about weddings, actual and metaphoric. (I’m traveling this week, so no photo accompaniment.)

Instructions
1. Write about the first wedding you remember attending.
2. Include small details that have stayed with you and emotions you experienced, such as excitement, anger, confusion,

Further Writing
1.If you have had wedding ceremony or a commitment or civil union ceremony, write or rewrite your wedding vows with the knowledge and experience you now have.

2. Write commitment vows to another person, place, or passion. For example, to your children, to your hometown, or to your vegetable garden. They can be heartfelt, heart-wrenching, whimsical, or a mix of emotions.

For Writing Groups

1. Write vows of commitment to your writing.
2.Read them out loud to each other.

Thursday Thoughts: Why Write?

IMG_2214July 3, 2014

It’s Thursday Thought-day again, so instead of posting a prompt, I’m posing another writer’s question.  Ponder, discuss among friends, consider, debate.

We write for different reasons at different times. Why do you write? Do you write to understand life more fully — to explore subjects, people, or places? To better understand yourself? Do you write to express and share beliefs? Do you write to create beauty?

 

Play It Backwards

June 27, 2014  Prompt #56

DSCN6122Today, more random play as we explore ways to re-vision, re-see, and re-imagine our work. This exercise comes from writer and translator T. Begley, from whom I took a writing workshop 20 years ago at The Naropa Institute (that’s what it was called back then).

 

Instructions

  1. Choose a section of a story or essay you’ve written that is about a page long. Or choose a single piece of flash fiction or a short to medium-length poem.
  2. Retype it or rewrite it backwards.  That is, on a fresh sheet of paper, write the last sentence of the paragraph, followed by the second to last sentence, and so on until you write the original first sentence as the new last sentence.
  3. Read it out loud.
  4. Highlight something that surprised you.
  5. Circle something that has taken on a new meaning with the rewrite.
  6. Underline something that you think could be improved or changed.
  7. Underline a sentence or phrase that particularly speaks to you. Write it on the top of a new sheet of page and write for 10 minutes.

 

Further Writing

  • Thinking about #4 above, for 10 minutes, write in response to what surprised you. You can continue in the same style (fiction, verse, etc.) or try more of a self-review.
  • Thinking about #5 above, for 10 minutes, write in response to what has taken on new meaning. Again, you can continue in the same style (fiction, verse, etc.) or try more of a self-review.

Variations for Writing Groups

  1. Cut up your original poem or prose excerpt into individual sentences or long phrases.
  2. Swap one each of your sentences or phrases with two other writing group members.
  3. Rearrange your sentences and your newly-obtained sentences into a new piece.

Considerations

If your style or subject matter is feeling stale or repetitious, prompts like this can help you step back from your writing and see it in a new light.

 

 

 

Thursday Thoughts: Trans-Genre

June 26, 2014  Prompt #55

Instead of a prompt today, I’m posing a few writer’s questions. Think about them yourself, ask other writing friends, or discuss your ideas here.

  1. Do you write in more than one genre — for instance poetry, fiction, and essays?
  2. If you write in more than one genre, do you consider yourself, for instance, a fiction writer who dabbles in poetry? Or a poet who writes the occasional essay? Or do you feel equally comfortable in a range of forms?
  3. Are you able to be more playful in the genre that is not your official form?
  4. Within a given genre, do you practice or experiment writing in different styles. For instance, if you write literary fiction, have you tried literary mystery or speculative fiction?

 

Double Double (Toil and Trouble?)

June 25, 2014  Prompt #54

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Sometimes, a successful story is the result of careful planning, clear outlines, and a well-conceived structure. Other times, random play generates surprising results. For today’s prompt, we are going to play.

Instructions

  1. Choose a section of a story or essay you’ve written that is about a page long. Or choose a single piece of flash fiction or a short to medium-length poem.
  2. Reprint it or rewrite it by starting every sentence on a new line AND leaving two blank lines between sentences. See example below.
  3. In the white spaces between the lines, write new sentences. They can be a logical extension of the existing work or something less directly connected.
  4. Don’t over think this one. But do have fun.

====================================================

Original Paragraph:

“When does a Jew become an adult?” Mrs. Glickenstein asked. “Twenty-one? Eighteen?” Clarissa Wallach and Yackov Winpool raised their hands, but I hesitated.  It didn’t matter: Mrs. Glickenstein answered her own question. “Thirteen. Thirteen is when a boy becomes a man.” Every Jewish kid knows this. Thirteen is the age of Bar and Bat Mitzvah, after which boys are counted in the minyan and can read from the Torah in front of the congregation. For girls, nothing changes, but, let’s face it, Bar Miztvahed boys aren’t adults either. It’s not like anyone of us can drive a car, vote for president , or buy beer the day we turn thirteen.

 

Prepared Paragraphs for the Writing Prompt

“When does a Jew become an adult?” Mrs. Glickenstein asked. “Twenty-one? Eighteen?”

 

Clarissa Wallach and Yackov Winpool raised their hands, but I hesitated.

 

It didn’t matter: Mrs. Glickenstein answered her own question.

 

“Thirteen. Thirteen is when a boy becomes a man.”

 

Every Jewish kid knows this.

 

Thirteen is the age of Bar and Bat Mitzvah, after which boys are counted in the minyan and can read from the Torah in front of the congregation.

 

For girls, nothing changes, but, let’s face it, Bar Miztvahed boys aren’t adults either.

 

It’s not like anyone of us can drive a car, vote for president , or buy beer the day we turn thirteen.

====================================================

Further Writing

  • In the blank spaces, write from the point-of-view of a different time period. For instance, if the existing story takes place in the past, write a parallel story in the present. Or write a parallel story from 50 or 100 years earlier.
  • In the blank spaces, write an interior voice.
  • In the blank spaces, write in a distinctly different style.

Variations for Writing Groups

  1. On index cards, write down feelings or emotional states. (For example: doubt, joy, sneakiness, outrage, enthusiasm, uncertainty, distrust, drunkenness, or despair.)
  2. Choose an emotion from the pile and rewrite your sentences in that style. In other words, shift the tone or mood of your original piece.

 

Considerations

Read over what you’ve written, then make note of anything you’ve learned from the prompt.  For instance, you might discover ways to add depth to your original work. You might realize your original piece needs more sensory details (or fewer) or more summarizing (or less summarizing) and so on.  Overall, prompts like this shake up your work and, in the best of circumstances, give you fresh eyes for revision.

 

 

 

Thirteen

June 13, 2014.  Prompt #44

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In honor of Friday the 13th, here’s a lucky writing prompt.

Instructions

  1. Write about a superstition that you believe in, don’t believe in, or are on the fence about.
  2. Write for 13 minutes.

Further Writing

  • Make up a superstition. Give it history or cultural background.
  • Write convincingly why we should believe in a superstition that, in reality, you don’t take seriously. Or the opposite.

Variation for Writing Groups

  1. On index cards, write a short description of an existing superstition or one you’ve constructed. For instance, It is unlucky to walk under a ladder. It is lucky to see two magpies together. If it rains on your eighth birthday, you will be prosperous in life.
  2. Place the cards face down. Choose one randomly and write about a character who challenges the superstition. Write for 13 minutes.
  3. Research superstitions from cultures not your own. Write about one for 13 minutes.

13ballFinally, if you drop your pen while you are writing, spin it 3 times on the floor while repeating the word “demiurgic” the entire time it is spinning. This will welcome back the creative spirits.